film
Finger Guns
After his mother tells him to clean his room, a young boy imagines himself as an outlaw in the wild west as he attempts to avoid his responsibility.
COMING MAY 2026
CINEMATOGRAPHER
Served as cinematographer, shaping both lighting and camera in close collaboration with the director throughout development and production. Focused on naturalistic, motivated lighting using practicals and available light, including sun-only exterior work during the New Mexico shoot. Emphasized a grounded visual style that supports the story without drawing attention away from performance.
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The Roles We Play
A young woman struggles to navigate a tense relationship with her father, which is paralleled with an imaginary stage play where she is a princess and her father is a dragon.
CINEMATOGRAPHER
Worked as cinematographer, handling both camera and lighting while collaborating with the director to establish a cohesive visual approach. Designed a naturalistic lighting setup that could sustain multiple scenes within a tight two-day schedule, minimizing resets while maintaining consistency. This project marked an early step in developing an efficient, story-first workflow under time constraints.
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Eclectic Work
CINEMATOGRAPHER
A collection of independent visual work exploring a range of lighting styles, camera techniques, and formats. Includes experiments with natural and stylized lighting, handheld movement, car-mounted shots, and period-inspired looks. This body of work reflects ongoing development in both technical skill and creative approach, including early timelapse and color grading exploration.
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Nuketown!
A rookie bodyguard assigned to a high-profile politician spends his final fifteen minutes on Earth trying to reunite a young teenager with her controversial parents before the commencement of Operation Nuketown.
CAMERA OPERATOR
Served as camera operator, executing shots under the direction of the cinematographer and director while working with the RED Komodo 6K for the first time. Focused on maintaining framing, movement, and consistency throughout production. This project emphasized adaptability and quickly becoming comfortable with new equipment in a fast-paced environment.
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A Hit of Vengeance
Jacob Vasquez embarks on a misguided quest to avenge his deceased father.
CAMERA OPERATOR
Worked as camera operator, contributing to shot execution and on-set camera movement while collaborating closely with the director and cinematographer. Gained experience operating in more dynamic setups, including executing a handheld long take requiring precise movement and control. Built on previous experience with increased confidence and fluidity in camera operation.
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944 SAFARI A Porsche Legacy
A documentary following two mechanics in a small-town shop devoted to restoring Porsche 944s, driven by a passion that has turned their craft into both a career and a legacy.
CAMERA OPERATOR
Contributed as camera operator while also assisting with lighting and grip work on a small documentary crew. Utilized both natural light and LED setups to achieve a clean, grounded look that complemented the subject matter. Supported production across multiple roles, helping maintain flexibility and efficiency throughout the shoot.
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New Harvest Creative
Where do bold ideas take root? At New Harvest Creative, founders Dan Robinson and Kris Katrosh are transforming creative seeds into powerful stories.
With extensive filmmaking experience, Dan and Kris cofounded New Harvest Creative, a production company dedicated to supporting aspiring filmmakers across Northwest Arkansas. From providing equipment and project planning to producing content and offering post-production services, they guide storytellers through every step of the creative process. In this exploration of New Harvest Creative’s history, we highlight the individuals who make up the team, their notable achievements, and the collaborators who continue to shape its vision.
As the company puts it: “It takes the creative seeds as well as the knowledge, infrastructure, and investment to turn IP seeds into properties that benefit the creators.”
DIRECTOR
Directed a short documentary from pre-production through final edit, shaping both the visual approach and overall narrative. Led a two-camera interview setup while collaborating on lighting design to achieve a cinematic yet natural tone. Focused heavily on structuring the story in post, condensing multiple interviews into a cohesive and engaging final piece.
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